![]() It contains dual resonators, a Chebyshev filter (I had to Google that one!), phasers‑style notch filters, distortion and even waveshaping oscillators. You can probably work out which famous filters most of them are designed to sound like. There is an east‑coast ladder filter, a creamy state variable, an OTA, a ‘liquid acid’ filter and one described simply as ‘screaming’ (a banshee let loose by accident during development apparently). The first bank contains a range of classic filter types with descriptions that allude strongly to their origins (and do match sonically with the labels on the front panel). These labels won’t always describe the current filter character because that depends on which bank you’re in. ![]() They are accessed with a knob in the centre of the front panel which is flanked by five LEDs labelled Fat, Crisp, Liquid, Sour and Mean. The filter characters are arranged in three banks of five for a total of 15 (at least so far, Supercritical added five of those with a firmware update mid‑review). With some filter characters, these options don’t select poles exactly, but they will usually change the response going from shallow to deep. The Poles button will cycle around options from 1 to 8 poles. They can operate in parallel (4‑pole, stereo) or series (8‑pole, mono). The 8‑pole filter is, in fact, two 4‑pole filters. Supercritical Synthesizers Neutron Flux: 12HP, +12V 150mA, ‑12V 120mA.There’s a lot of filter packed into this 12HP skiff‑friendly module. It’s a stereo filter and can morph smoothly between different ‘characters’ giving you almost endless tweakability to dial in just the right tone. It has an analogue core with digital control. ![]() Supercritical describe it as an “8‑pole variable character filter”.
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